Starting this week, we will begin our look deeper into the world of Sideshow with explorations of the setting, plot, characters, and the research that it took to get them right. Enjoy!
Sideshow begins in Cleveland, Ohio. This seemed a natural choice to me. I honestly never even considered setting Abby’s beginning anywhere else. Continuing the world of “The Fire-Eater’s Daughter” meant continuing a story set in the 1950s. That was not a problem. As far as the writing of historical fiction goes, the 1950s have a ton of interesting themes to mine and I’ve only begun to crack that surface. Using Cleveland as a backdrop for the opening scenes just seemed to slip right into those themes seamlessly.
In the 1950s, Cleveland, like the rest of the world (and the Amaro family – I’m sure the reason for the gap between Abby and Leon is painfully obvious) was trying its best to move on from WWII. The world was still in turmoil, but Cleveland was trying to forget.
The post-WWII manufacturing boom definitely helped. Cleveland was, after all, a manufacturing city, for better or worse.
Abby’s father, like many other Cleveland fathers of this decade and decades prior, worked in a steelyard. It was hard work but would have provided well for the growing Amaro family and allowed them to live in a house between the neighborhoods of Little Italy and Coventry Village (a one time “planned” community for Cleveland’s wealthy Protestant elites which began growing in ethnic diversity around this time). Natale and Abby both work and are concerned with money, but they would, unlike their parents, have been able to finish out their high school years in relative peaceful enjoyment. They would have likely attended a local Catholic School such as St. Marion’s (which would close in the 1960s, so the younger Amaro children would have to be sent elsewhere).
A critical intersection, both to Abby and Sideshow is that of Cedar and Lee roads. Abby spends her evenings after her music classes working at the fictional (though loosely based on a one time burger joint known as Mawby’s) Cedar Lee Diner, the existence of which was inspired by local Cleveland landmark, the Cedar-Lee Theatre.
The Cedar-Lee opened in 1925 and anchored the ever changing commercial center around it. It’s still there today, albeit a little different than Abby would have known it. Though Abby and Marjorie likely preferred the East Side Drive In (especially during the summer), Cedar-Lee would definitely have held a special place in her social life.
Speaking of social life, Abby would likely have also frequented dances held by Italian-American social clubs and teen organizations. As a music lover, Abby’s adoration of everything from opera to folk to, of course, rock and roll would mean seeking out places where she could hear the music she loved. In Sideshow she mentions to Suprema that she listened to Moondog every night. This is a reference to Cleveland disc jockey Alan “Moondog” Freed often credited with coining the term “rock and roll” leading to Cleveland’s beloved moniker. [I will discuss this particular aspect of Abby’s life in further detail in a later post.]
The carnival the Amaro family attends on that fateful day in late July would likely have been held in Gordon Park on the lakeshore or somewhere similar to it. These areas were casualties of that manufacturing boom mentioned earlier as the lake struggled through environmental degradation. That would have allowed McClure’s Amusements the ability to rent their time on the land cheaply, however. As seen in Sideshow, they do not always get the choicest locations, but they make the best of it. (Gordon Park’s Beach is also where I envisioned Abby’s breakup with Frank.)
The 1950s in Cleveland truly do provide an incredibly rich backdrop in which to paint the story of Abby Amaro’s early life and launch her into her later adventures with McClure’s amusements. This real and vibrant city that is more than it appears on the surface was, in my mind, the only place to begin.